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Stimulus: Ashes

Ashes, 1894, Oil on Canvas, Edvard Munch.

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I like Edvard Munch, especially for what we are doing on this website. It's time to try something new: I will show you next week's stimulus. You will hopefully use both of them, but as some of you feel you need more time, we will try doing it this way and see how it works out. Here it is:

The Dance of Life, 1900, Oil on Canvas, Edvard Munch
Posted on 01/28/2007
 
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FOREVER, AGAIN
Posted by Britt Fleming on 01/28/2007
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I did not ask for this.
We were once innocent children,
when nakedness was harmless.

It is not our choice.
One day, we may wake up,
and no longer have each other.

No one else knows.
There is no one we can tell,
for fear it would hurt them.

You were so gracious.
Was it easy to forget,
as if it never happened?

It's time now for this to end.
So let's say goodbye, forever,
        again.
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ASHES
Posted by Sharon Chmielarz on 01/29/2007
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A Cinderella wind blows through the woods.
A night burned to soot. The picnic, in shreds.
An overcooked woman pulls her hair. Birch
trees shriek their silent screams. And the man?
He holds his head together with ashen hands.
One wants to help, step in, give all the wrong
advice, a stream of American can-do’s.
Button up. Buck up. Use your brain. Take what
you like and leave the rest. Offering a kind cup
of tea might be more sane. Quick, it’s getting cold.
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THE GIANT MAN WITH THE GIANT HANDS
Posted by LouAnn Shepard Muhm on 01/29/2007
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His eyes go cloudy

You know that motion
when a woman is walking,
reaches casually


Here, his own hands rise

catches her hair
in both hands,
twists it up…
All one movement
so lovely…


Hands and jaw drop,
and he is with her on the street,
newly anointed

benediction, supplication,
the white undersides of her uplifted arms


Oh, what I could do
with a man like that.
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BEFORE LEAVING
Posted by Mary Kay Rummel on 01/28/1970
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Before Leaving

He
stayed with her
longer this time,
his mind and body.
Landscape alluvial
In the new country
between them.
She remembers
his voice, a blue haze.

Desire
curls in her. It sings
with no instrument,
the voice out of focus
but still fresh
like the eroding cliff
grieving for the taste
of him, for the darkness
he pushed through her.

Betrayed by age
but alive in the land they lost,
 passion still in her,
a great wind where gulls curl
and lapse then return
to the dreaming shore.
She lives on the tremors
of their time together.

Goodby
she says as he turns from her.
It comes out hoarse
a squawk of surprise
or dismay
at the fault line between them.

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CHAMBERMAID AT DAWN
Posted by Diana Lundell on 01/29/2007
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Night sparks and flies away ashes.
Morning approaches bone cold
in waning firelight.
Agnes bends over the grate,
starts her lady’s flame rushing.
She’ll have to mind this fire for a while
before able to rest again.

On silk sheets, her mistress dreams,
snoring out open air
her insensible demands.

At the windowsill, shy light
hesitates, then slips in stealthy,
flushing out the waiting shadows
softening Agnes’ look. Her age
now apparent in geometry
drawn around mouth and eyes.
Agnes has seen too much of time

awake most of the night.
But in a moment, Agnes will drift
off in chair next to the fire,
letting the world buy her
safe passage into dreams.

On the windowpane,
frozen rain splats ice,
fogging the glass
to see in, but not out.

Delicate designs form,
swirling circles all over
in no particular pattern
with no beginning or end.
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EDVARD'S ASHES
Posted by Tim J Brennan on 01/30/2007
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(i)
If this woman be avian,
up on thin legs, fanning
her tail feathers
like the main of a sail,
searching for wind

her wings begging,
her tongue a sharp
thorn, she be a ghost
ship by morning,
deathly still

my own tongue a twig
in my throat, she
a seeker of nest

(ii)
If this woman be rain,
she would first wash
my upturned face,
and finally with fluid
fingers, she would,
in tears, caress my pain

If this woman be rain,
she would fall into my life
as small drops, perhaps pool
as my wife & fill my years
with liquid dreams

(iii)
If this woman be ashes,
she would smolder gray
smoke in the morning
having shed earrings, hair
strands, undergarments
in her personal pyre,
her body an evening
sacrifice, leaving me
with a turned head,
sobbing in ecstasy

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MUNCH’S ASHES: A DARKER VERSION
Posted by Maia Cavelli on 01/30/2007
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On the edge of wooded peril
old Gustav,
widowed these many years
and not since awake to the world,
finds his clouded gaze straying
resting on the rising bosom
of his motherless child.

As if for the first time
the old man sees a
stranger dancing
where once his little Freya played.

Entranced by the maiden’s
unguarded allure
he is drawn,
failing in his wishfulness
to recognize her
as his own.

But she, knowing no
such breach of conscience
shrieks at this ungodly suitor
fending off
his lecherous advance.

Disheveled and
frightened.

The old man
himself repulsed
his heart yet entwined
in chestnut tangles of hair
knows in this dismal moment
he will die alone
with no remembrance
of the warmth once his.

Only stone cold ashes
to strew about his life
collapsing now
beneath the weight
of human weakness.
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WOMAN DAMNED
Posted by D. Garcia-Wahl on 01/31/2007
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I am the dagger of this montage
I am the twist of the shifting
I am the bearer of the space
which is condensed
                    in my hands
                               for the wonder of time



This lady
at birth
as child
           made merry to burn
Unsettled in hoping screams
Fraught with the fear of shadows
Eyelids pressed tight
                    at the looking hours
The palaces of youth returned
                                            at once
                                            for unyielding consequences
                                            demanding it be so
The purity of young flesh – stained
Even quiet moments locked in restlessness
CRIES;
the truth telling variants of the soul
Mouth agape
            Demons!
            horror’d lessons in vision
            Demons! By Demons!

Blood the same
Blood transferring from youth to adulthood
where the mysteries erode


I question what I fear
in the understanding of her
But, as there is no honor in chosen blindness
and you cannot feel what you cannot retain
I question
If the question is honest, it will answer itself
I, to prepare a decision
or shoulder a fall
either way it is righteous undoing
A lesser heart would forgo
to tender touchings
                    and willful pleasures



The corpse of the wedding
ran its anger by decision
Left blood marks
            on the bridal veil
            on the pews
            traced in the wedding cake
The corpse of the wedding
            counted the seconds
            until the ceremony would end
            made an attempt at purpose
        through silence


silence silence
or
her screams
or
her violence
or
her murders like pleasant dreams
or
            her withering

Nevermore so vile and bitter
the tongue and eyes of this… wife
A charm blasphemed by her beauty
A division mapped upon a bed
scorched in the blood of matrimony
Twilight tells a story that
in this life
there is no easier hanging
than that by jealousy

I, willing to make beauty obsolete
if it meant cursing the days of her life
As long as that curse
spanned all but
            my antiquity


                                “You and I then
                                to sing less heavenly of things
                                ending each day with
                                glories unfulfilled”



Bath
She smiles
and rinses her hair


I am the dagger of this montage
I am the twist of the shifting
In winter with its dying days
voicing an archaic promise of spring
I heard the blasphemous whisper of her name
while all along through grace and thicket
the storied echo was mine

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RUN
Posted by Britt Fleming on 02/02/2007
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Soft moss beneath our shoes
Scent of decaying pine needles
on ancient forest floor

Beginnings of winter, cool
wind between trees

We see deer run uphill.

They, afraid of our ways,
seek shelter from us.

Should I run, too?
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